Daily Archives: August 19, 2009

19 Aug, 2009

The Memo

2009-08-19T10:19:12-07:00By |Categories: Adia Tamar Whitaker, CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

I didn't get the memo. You know the one that breaks down the ways in which descendants of enslaved Africans have a different (but just as post traumatic stress disordered psychosis) than the descendants of colonized Africans. To be fair, I looked completely different when I've traveled abroad before (I had long hair), AND there is no pronoun for "he"or "she" in Ghanaian language. Word. My bad. Yet and still, I was expecting some kind of Haiti-ish/Southern American Negro/Caribbean stratification

19 Aug, 2009

Towards Chicano Dance

2009-08-19T13:33:23-07:00By |Categories: CounterPULSE, Gema Sandoval, Images, Performing Diaspora|Tags: |

When you choreograph folk dance and work to transfer movement from its natural habitat to the stage the considerations are: : Is the representation accurate? Am I being true to the spirit of the dance? Have I accurately reflected the integrity and idiosyncracy of the music, dance and people of that area? As important as these questions are, they are also the very elements that discourage creative evolutions from that dance. Additionally, I have always been keenly aware that ,

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