Javier Stell-Fresquez, Ivan “Ivy” Monteiro, Davia Spain
About This Artist
Javier Stell-Fresquez (Chican@, Tigua & Piro Native), Ivan “Ivy” Monteiro (Brasil), and Davia Amerasu Spain (San Francisco Bay Area native), compose a trinity of young, fierce, POC femme artists. Our collective expertise spans theater, sound and video production, dance, and organizing, as well as drag, among other forms that our queer ancestors developed in queer nightlife spaces, and backyard family barbecues.
Applying intersectional and intertribal methods, we set our triune gaze on the landfill that is our present society. Holding up umbilical and ancestral knowledge as we decolonize the future, our very existence and emergent voices defy neocolonialism, white supremacy, and patriarchy.
About This Project
Mother The Verb is a Queer/Trans performance dance, produced and created by Ivan Monteiro (Brasil), Javier Stell-Fresquez (Chican@ originally from El Paso, Tigua & Piro Native), and Davia Amerasu Spain (San Francisco Bay Area native), a trinity of young, fierce, POC femmes fucking up post-colonialism, white supremacy and patriarchy one breath at a time. This trinity will be making a new experimental performance piece exploring the glorification and damnation of our many mothers, asking how we can transcend the toxins flowing in our bodies and societies.
Follow their progress and community work at Facebook.com/MotherTheVerb
May 15, 2018
As a disabled person I have always appreciated CounterPulse’s support and presentation of disabled artists. In the two plus years I have been with CounterPulse, I have seen several amazing shows by disabled artists: dancers on crutches, dancers with prosthetic limbs, dancers in wheelchairs, and dancers with a visual impairment. Being disabled, and an arts […]
Inverse worlds, similar dialogue. It wasn’t until I was living in the redwoods that I noticed something was off. Amidst bluegrass festivals and chants to “save the trees!”, there was a curious trend in the crowds. Surrounded by pale faces throughout my peregrination of environmental work, my fervor eclipsed critical inquiry into the causes we […]
I LOVE THIS (or….very personal reflections that aren’t completely about the inaugural CounterPulse Festival)
I don’t actually remember the first time that I met Julie, but I do have a picture in my head of sitting at my desk at the old CounterPulse, at 1310 Mission, and looking to my left and seeing her working at a desk that we rented out to Jess Curtis at the time for […]
An excerpt from Jesse Hewit’s piece on Upstanding Others as part of the 2018 CounterPulse Festival. Originally published on SFMOMA’s Open Space. Read the full piece here. The premise: Upstanding Others was an experiment that happened within the inaugural CounterPulse Festival, and it happened from March 12 through March 17, 2018. There were eight to ten […]