About This Artist

Photo by George Emilio Sanchez

Photo by George Emilio Sanchez

Randy Reyes is queer Latinx choreographer-dance artist-curanderx with roots connecting the geographies of Guatemala, Massachusetts, NYC, Germany, Chile, Ecuador, & Nicaragua. This past summer he was a Creative Dissent Fellow at Yerba Buena Center for the Arts (YBCA) learning under the direction of Tania Bruguera & the Arte Util team as well as completed a 72-hour permaculture design course at Soul Flower Farm. Randy has now relocate to Los Angeles to begin an MFA in Dance program at UCLA where he will continue weaving together his interests in spiritual-environmental ecologies, queer choreography/systems of improvisation, and international-domestic exchange between artists, activists, ecologists, & healers.

 

Support Randy by donating to their Kickstarter all-or-nothing campaign, which ends on Aug. 11! All funds/donations will go directly towards supporting their cast who are amazing folks identifying along the spectrum of {queer- first generation – POC} and to expanding their production budget to include a sound artist from NYC and set designer.

 

Collaborator Bios


Stephanie Hewett:
Stephanie Hewett is a Bronx, New York native currently based in Oakland. She completed a one-year program at the Laban Conservatoire of Music and Dance in London, UK, and received a BA in Dance from Trinity College. She is a recent graduate of the MFA in Dance program at Mills College and enjoys caffeine, collaborations, and clarity.


Jose Abad:
Jose Abad is a queer social practice performance artist based in San Francisco, California. Born in Olongapo City, Philippines to a Filipinx Mother and a West Indian Father, Jose uses dance and storytelling to explore the complexities of cultural identity, feelings of landlessness and the memories and wisdom held within the body that the mind has forgotten, or history has erased. Abad has had the opportunity to perform in New York, New Orleans, and San Francisco in collaboration with a variety of companies and artists including Keith Hennessy, Scott Wells, Anne Bluethenthal, Brontez Purnell Dance Company, #DignityInProcess and Detour Dance.

 

Emelia Martinez-Brumbaugh:

Emelia is a gender, sexual and geographical border crosser.

They white/latinx Chesapeake bay beast

source the power and creativity that

lives in between

personal and interpersonal divides,  

the rainbow of perspectives,

to honor/hone

the potential/unknown/divine

for choreography

of a new reality.

years on years of serious play & social inquiry

facilitating embodied creative curiosity with adults and youth

from Mexico City to Washington, D.C.

Based in the Oakland bay area


Felix (Sol) Linck Frenz:
Felix Linck Frenz is a white queer artist, activist and femme-ish person who lives in Berkeley, CA. Born in Baja California to a German-Chilean mother and a formerly Texan father, Felix moved to Los Angeles at the age of ten already with many questions about origins, place, and personhood. She continues to think through these ideas in relationship to power, privilege and healing both as an experimental dancer and as a housing justice organizer. Felix is honored to be a part of Lxs Desaparecidxs and has been deeply moved by and through this collaborative process.


Gabriel Christian:
Gabriel Christian (t(he)y/(t)him) is a multidisciplinary artist/teacher. After receiving a BA in Theatre Studies from Yale in 2013, their work pivoted towards reifying queer desire, genderfluidity (or “juicyness”) and black resilience through conceptual art and performance. They’ve held residencies at Destiny Arts Center and Finnish Brotherhood Hall, and mounted/supported works at Counterpulse, SOMArts, CTRL+SHIFT Gallery, Brava Theater, Eureka Theater, and Stanford University. Upcoming projects include a residency with This Will Take Time in Point Arena, revisiting twenty-nine collaborations about Black Presence and using them as talismans for negotiating Black
Prescience. (
www.blackpresence.xyz)


[Artist photo of Randy Reyes at This is What I Want (Tessa Wills) by Robbie Sweeny]

Upcoming Events

Swivel:Hinge:Return

Wax Poets
Thu-Sat, Mar 1-3, 8pm

Barley Sculpture at Block Fest

Tan Sirinumas
Fri, Mar 2, 3pm-5pm

CounterPulse Festival

At CounterPulse, The Lab, and The Stud with associated events at SFMOMA as part of Open Space's winter season Limited Edition
Wed-Sun, Mar 14-18

Super Lab

Kinetech Arts
Wed, Mar 14, 9-10pm

Archived Events

Blessed Unrest: an arts and social justice festival

Crescent Moon Theater Productions
Sat, Feb 24, 11am-6:15pm

Social Table

Adaptive Path in partnership with CounterPulse
Thu, Feb 22, 6pm-8pm

Dance Lovers 7

James Graham Dance Theatre
Thu-Sat, Feb 8-10, 8pm

Blog Roll

  • CounterPulse Spring 2018 Season Announcement

    CounterPulse is launching into a mind-bending spring season with a series of performances that activate cultural pluralism through human-scale movements and bodily resistance. In spring 2018 we navigate through interplanetary time as lovers and cultural vanguards. Kicking things off in February, the legendary Kei Takei returns to San Francisco for a rare three nights of […]

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  • An Offering to Past and Future Ancestors

    The Performing Diaspora residency at CounterPulse returned this year with two works mapping the connection between ancestry, queer identity, and tradition asking, ‘How do we collaborate with the force of the unseen? How we can transcend the toxins flowing in our bodies and societies?’ The residency creates a platform for artists of color to tell […]

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  • wild child in residence at CounterPulse

    Combining pompous burlesque acts with intimate confessions, ,wild child” blurs the line between natural and artificial, authenticity and masquerade, reality and fantasy. The performer morphs from one character to the next and reenacts past encounters to discover what sexual desire is. They play with femininity and other gender roles to unveil the joy, fear, shame, violence, […]

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  • Who are your Lxs Desaparecidxs?

    Questions to Consider (proposed by Randy):   Who are your Lxs Desaparecidxs? In what ways has being in this process shifted your own creative practice, if at all? Where do you see the piece going next and how do you see the work evolving? What questions have persisted since the process began and what new […]

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