CounterPulse is launching into a mind-bending spring season with a series of performances that activate cultural pluralism through human-scale movements and bodily resistance. In spring 2018 we navigate through interplanetary time as lovers and cultural vanguards. Kicking things off in February, the legendary Kei Takei returns to San Francisco for a rare three nights of […]
About This Artist
Lauren Simpson is a choreographer, performer, and arts educator. She has danced for Liz Lerman and Risa Jaroslow. She teaches at the University of San Francisco. Lauren is a founding member of the Bay Area dance company, Simpson/Stulberg Collaborations. SSC has been nominated for two Izzie Awards and received support from Dancers’ Group, the Zellerbach Family Foundation and Rainin Opportunity Fund. Recent residencies include the CHIME Program at the Margaret Jenkins Dance Company and the AIR Program at Shawl-Anderson Dance Center. SSC was FACT/SF’s resident JUMP Choreographer in 2015. M.F.A., University of Colorado-Boulder. Ed.M, Harvard University. B.A. Carleton College.
Jenny Stulberg is co-artistic director of Simpson/Stulberg Collaborations. SSC has been nominated for two Izzie Awards and received support from Dancers’ Group, the Zellerbach Family Foundation and Rainin Opportunity Fund. Recent residencies include the CHIME Program at the Margaret Jenkins Dance Company and the AIR Program at Shawl-Anderson Dance Center. SSC was FACT/SF’s resident JUMP Choreographer in 2015. Jenny has danced for Hope Mohr and Xandra Ibarra/La Chica Boom. Her dance-films have screened in festivals across the country including San Francisco Dance Film Festival, and her film-work has been employed by companies such as Joe Goode Performance Group and BANDALOOP. M.F.A. NYU Tisch School of the Arts.
Robyn Gerbaz is a dancer and choreographer from Aspen, Colorado. She began her training with Aspen Santa Fe Ballet before graduating from Interlochen Arts Academy. She holds a BFA Magna Cum Laude from LINES Ballet/Dominican University. Additionally, she trained at (selected) Cornish College, SF Conservatory of Dance, Ponderosa Tanzland, New Dialect, Springboard Danse Montreal and with Chunky Move. She has performed works by Sidra Bell, Christian Burns, William Forsythe, Amanda Miller, Kate Wallich and Johannes Wieland. Robyn has been a member of Maurya Kerr’s tinypistol since 2012 and is also currently with Alex Ketley’s The Foundry.
Arletta Anderson is a Bay Area-based dance artist.Locally, she has danced for choreographers and companies such as Simpson/Stulberg Collaborations, Gerald Casel, Christy Funsch, detour dance, Stephen Pelton and Aura Fishbeck. With collaborator Adam Smith, Arletta creates multidisciplinary performance work that brings together movement, theater and music.
About this Project
Still Life Dances is a series of dance works based on visual art works, primarily paintings. S/S’s approach to creating them is similar to the way 19th century American still life painters approached their work- they valued precision, careful composition, and the placement of light. They often painted rotting fruit or decaying carcasses, things that changed and morphed faster than they could be painted with the detail it required. Their impossible task of attempting to make the impermanent permanent set our wheels in motion in the studio.
Realness, intimacy, curious moments, and a sense of being compelled to pay deep attention to fleeting action are experiences we hope the audience will have when they see our work. In making these Still Life Dances, we are left with the impression, and possibly the personal truth, that the body is not fixed, concrete, or monotone, but a changing, ephemeral, experiential entity that is continually being abstracted in art and dance and life.
Still Life No. 8 is a dance for three performers. The eighth work in the Still Life series, it explores ideas of ephemerality and permanence, stillness and action. It features an original set, music and costume design.
Photos by Robbie Sweeny
The Performing Diaspora residency at CounterPulse returned this year with two works mapping the connection between ancestry, queer identity, and tradition asking, ‘How do we collaborate with the force of the unseen? How we can transcend the toxins flowing in our bodies and societies?’ The residency creates a platform for artists of color to tell […]
Combining pompous burlesque acts with intimate confessions, ,wild child” blurs the line between natural and artificial, authenticity and masquerade, reality and fantasy. The performer morphs from one character to the next and reenacts past encounters to discover what sexual desire is. They play with femininity and other gender roles to unveil the joy, fear, shame, violence, […]
Questions to Consider (proposed by Randy): Who are your Lxs Desaparecidxs? In what ways has being in this process shifted your own creative practice, if at all? Where do you see the piece going next and how do you see the work evolving? What questions have persisted since the process began and what new […]
When given an empty canvas, I stare intently at my toes as I wiggle them, plan which wall to remove and couch to shift were the place mine, examine my palms as I ponder my life as written in wrinkles and wonder which wrinkle is Wednesday’s. One might say I do nothing. I certainly do […]